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Street magic is a form of street performing or busking that employs a hybrid of stage magic, platform and close-up magic, usually performed ' in the round ' or surrounded by the audience.
Notable modern street magic performers include Jeff Sheridan and Gazzo. Since the first David Blaine TV special Street Magic aired in , the term "street magic" has also come to describe a style of 'guerilla' performance in which magicians approach and perform for unsuspecting members of the public on the street.
Unlike traditional street magic, this style is almost purely designed for TV and gains its impact from the wild reactions of the public.
Magicians of this type include David Blaine and Cyril Takayama. Bizarre magic uses mystical , horror , fantasy , and other similar themes in performance.
Bizarre magic is typically performed in a close-up venue, although some performers have effectively presented it in a stage setting.
Charles Cameron has generally been credited as the "godfather of bizarre magic". Others such as Tony Andruzzi have contributed significantly to its development.
Shock magic is a genre of magic that shocks the audience. Sometimes referred to as "geek magic", it takes its roots from circus sideshows , in which 'freakish' performances were shown to audiences.
Common shock magic or geek magic effects include eating razor blades, needle-through-arm , string through neck and pen-through-tongue.
Comedy magic is the use of magic in which is combined with stand-up comedy. Quick change magic is the use of magic which is combined with the very quick changing of costumes.
Camera magic or "video magic" is magic that is aimed at viewers watching broadcasts or recordings. It includes tricks based on the restricted viewing angles of cameras and clever editing.
Camera magic often features paid extras posing as spectators who may even be assisting in the performance. Camera magic can be done live, such as Derren Brown 's lottery prediction.
Classical Magic is a style of magic that conveys feelings of elegance and skill akin to prominent magicians of the nineteenth and twentieth centuries.
Mechanical magic is a form of stage magic in which the magician uses a variety of mechanical devices to perform acts which appear to be physically impossible.
Examples include such things as a false-bottomed mortar in which the magician places an audience member's watch only to later produce several feet away inside a wooden frame.
This form of magic was popular around the turn of the 19th century— today, many of the original mechanisms used for this magic have become antique collector's pieces and may require significant and careful restoration to function.
Magicians describe the type of tricks they perform in various ways. Opinions vary as to how to categorize a given effect, and disagreement as to what categories actually exist.
For instance, some magicians consider "penetrations" a separate category, while others consider penetrations a form of restoration or teleportation.
Some magicians today, such as Guy Hollingworth  and Tom Stone  have begun to challenge the notion that all magic effects fit into a limited number of categories.
Among magicians who believe in a limited number of categories such as Dariel Fitzkee , Harlan Tarbell , S. Sharpe , there has been disagreement as to how many different types of effects there are.
Some of these are listed below. For example, in " cups and balls " a magician may use vanishes, productions, penetrations, teleportation and transformations as part of the one presentation.
The methodology behind magic is often referred to as a science often a branch of physics while the performance aspect is more of an art form. Dedication to magic can teach confidence and creativity, as well as the work ethic associated with regular practice and the responsibility that comes with devotion to an art.
Some had strict rules against members discussing magic secrets with anyone but established magicians.
From the publication of Reginald Scot 's Discoverie of Witchcraft until the end of the 19th century, only a few books were available for magicians to learn the craft, whereas today mass-market books offer a myriad titles.
Videos and DVDs are a newer medium of tuition, but many of the methods found in this format are readily found in previously published books. However, they can serve as a visual demonstration.
Persons interested in learning to perform magic can join magic clubs. Here magicians, both seasoned and novitiate, can work together and help one another for mutual improvement, to learn new techniques, to discuss all aspects of magic, to perform for each other—sharing advice, encouragement, and criticism.
Before a magician can join one of these clubs, they usually have to audition. The purpose is to show to the membership they are a magician and not just someone off the street wanting to discover magic secrets.
The world's largest magic organization is the International Brotherhood of Magicians ; it publishes a monthly journal, The Linking Ring.
The oldest organization is the Society of American Magicians , which publishes the monthly magazine M-U-M and of which Houdini was a member and president for several years.
Davenport's Magic  in London's The Strand was the world's oldest family-run magic shop. Traditionally, magicians refuse to reveal the methods behind their tricks to the audience.
Membership in professional magicians' organizations often requires a commitment never to reveal the secrets of magic to non-magicians.
Magic performances tend to fall into a few specialties or genres. Stage illusions use large-scale props and even large animals.
Platform magic is performed for a medium to large audience. Close-up magic is performed with the audience close to the magician.
Escapology involves escapes from confinement or restraints. Pickpocket magicians take audience members' wallets, belts, and ties.
Mentalism creates the illusion that the magician can read minds. Some modern illusionists believe that it is unethical to give a performance that claims to be anything other than a clever and skillful deception.
Others argue that they can claim that the effects are due to magic. These apparently irreconcilable differences of opinion have led to some conflicts among performers.
Another issue is the use of deceptive practices for personal gain outside the venue of a magic performance. Examples include fraudulent mediums, con men and grifters who use deception for cheating at card games.
Most of these performers therefore eschew the term "magician" which they view as making a claim to supernatural power in favor of "illusionist" and similar descriptions; for example, the performer Jamy Ian Swiss makes these points by billing himself as an "honest liar".
For example, more than thirty years after the illusionist Uri Geller made his first appearances on television in the s to exhibit his self-proclaimed psychic ability to bend spoons, his actions still provoke controversy among some magic performers, because he claimed he was not using conjuring techniques.
On the other hand, because Geller bent—and continues to bend—spoons within a performance context and has lectured at several magic conventions , the Dunninger quote may be said to apply.
Less fraught with controversy, however, may be the use of deceptive practices by those who employ conjuring techniques for personal gain outside the venue of a magic performance.
Fraudulent mediums have long capitalized on the popular belief in paranormal phenomena to prey on the bereaved for financial gain.
The great escapologist and illusionist Harry Houdini devoted much of his time to exposing such fraudulent operators. Fraudulent faith healers have also been shown to employ sleight of hand to give the appearance of removing chicken-giblet "tumors" from patients' abdomens.
Con men and grifters too may use techniques of conjuring for fraudulent goals. Cheating at card games is an obvious example, and not a surprising one: one of the most respected textbooks of card techniques for magicians, The Expert at the Card Table by Erdnase, was primarily written as an instruction manual for card sharps.
The card trick known as "Find the Lady" or " Three-card Monte " is an old favourite of street hustlers, who lure the victim into betting on what seems like a simple proposition: to identify, after a seemingly easy-to-track mixing sequence, which one of three face-down cards is the Queen.
Another example is the shell game , in which a pea is hidden under one of three walnut shells, then shuffled around the table or sidewalk so slowly as to make the pea's position seemingly obvious.
Although these are well known as frauds, people still lose money on them; a shell-game ring was broken up in Los Angeles as recently as December Because of the secretive nature of magic, research can be a challenge.
However, organizations exist to band together independent collectors, writers, and researchers of magic history, including the Magic Collectors' Association,  which publishes a quarterly magazine and hosts an annual convention; and the Conjuring Arts Research Center ,  which publishes a monthly newsletter and biannual magazine, and offers its members use of a searchable database of rare books and periodicals.
Performance magic is particularly notable as a key area of popular culture from the midth to midth centuries. Many performances and performers can be followed through newspapers  of the time.
Many books have been written about magic tricks; so many are written every year that at least one magic author  has suggested that more books are written about magic than any other performing art.
Although the bulk of these books are not seen on the shelves of libraries or public bookstores, the serious student can find many titles through specialized stores catering to the needs of magic performers.
Jones Magic Collection, s—  at Princeton University. From Wikipedia, the free encyclopedia. For other varieties of magic, see Magic disambiguation.
For the artistic tradition, see Illusionism art. For other uses, see The Illusionist disambiguation. The Conjurer , —, by Hieronymus Bosch or his workshop.
Notice how the man in the back row steals another man's purse while applying misdirection by looking at the sky. The artist even misdirects the viewer from the thief by drawing the viewer to the magician.
See also: List of magic tricks. For the film by Orson Welles, see Magic Trick film. Play media.
See also: List of magic publications. Arts portal. Congress Does". The Huffington Post. Retrieved 22 May The Washington Post.
Hiding the Elephant. Da Capo Press. Continuum Companion to Twentieth Century Theatre. This French site, Magiczoom, has now closed its doors.
Archived from the original on Scientific American Blog Network. Retrieved The Linking Ring. The Unmasking of Robert-Houdin. Notes and Queries.
Magic: A Picture History. New York: Courier Dover Publications. Chartwell Books Inc. Real Magic. All About Magicians. January — December Magician Jon Finch.
Jon Finch. Retrieved 3 February The present disambiguation page holds the title of a primary topic , and an article needs to be written about it.
It is believed to qualify as a broad-concept article. It may be written directly at this page or drafted elsewhere and then moved over here.
Related titles should be described in Magic , while unrelated titles should be moved to Magic disambiguation.
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